Experts and archaeologists from the World Cultural Heritage site of My Son Sanctuary have started an assessment and research project of a collection of inscriptions, carved texts on sandstone and terracotta material to build a dossier for heritage recognition.

A tower is preserved at My Son Sanctuary, 70km south of Da Nang city's downtown. The world heritage site is one of the most popular destinations in central Vietnam, and it has restored a huge amount of valuable ancient culture and items.

Nguyen Van Tho, from the management of the My Son Sanctuary World Cultural Heritage site, said the project, kicked off in May, will be review a 50-inscription collection.

He said the inscription collection, which is believed to be from the fifth century to 13th century, had been carved on sandstone and terracotta stele, cantilevers and architectural structure beams and girders, or were engraved texts on pedestals.

The heritage management board also said some inscriptions had been stored for display at the Vietnam National Museum of History and Cham Sculpture Museum of Da Nang.

It said translation works on ancient inscriptions had been done during the 20th century, but major engraved inscriptions have not yet been translated, or remain unexcavated at the heritage site.

In past years, Sanskrit inscriptions on stone slabs at the My Son Sanctuary were translated into Vietnamese and English, as part of a joint project between Vietnamese and Indian scientists.

Experts from India and the French Institute of Far Eastern Studies had assisted in translating these ancient steles from Sanskrit, the ancient liturgical language of Hinduism.

The My Son Sanctuary has Sanskrit epitaphs engraved on 31 slabs made of brick and stone, the main materials used in building My Son Sanctuary, the sanctuary’s management board reported.

The ancient Cham scripts and Sanskrit inscriptions at the UNESCO-recognised site are highly valuable heritage.

The My Son Sanctuary is still a unique and mysterious archaeological site, and it remains a research centre for Cham culture – a defunct civilisation in Asia. At least 70 temples and towers were built at the site from the 4th century, and brick and natural cement were used.

Research into the construction techniques of the Cham people resulted from the restoration of monuments in 2003–2013 by the Vietnam – Italy – UNESCO tripartite partnership.

Polish archaeologist and architect Kazimierz Kwiatkowski, known as “Kazik”, made contributions to the recognition of the Sanctuary as a world heritage site by UNESCO in 1999.

Kazik and a group of Polish archaeologists had strengthened ruined towers with cement, as well as clearing groups of towers in 1981–1995 before they would be damaged due to weather and poor conservation.

Italian archaeologists then continued the restoration of Group G on the site from 1997 before Indian experts began recovering towers of Groups K, A and H from 2017–2021.

Much earlier, French archaeologists and researchers found the My Son Sanctuary in 1885, and the first excavation and research on the Cham towers began in 1898–1999 by Louis Finot and Launet de Lajongquere.

Heri Parmentier researched the site in 1901–1902, and many artefacts were brought to the Cham Sculpture Museum in Da Nang city.

Last year, excavations exposed an ancient entrance road linking the K Tower to the central towers complex, and it is believed to have served as a sacred route for Hindu deities and a royal passage for Champa kings and priests between the 10th and 12th centuries.

Indian archaeologists had earlier identified two gates to the east and west of the K Tower, as well as a section of the guide wall leading to towers E and F during a restoration project in 2017–2018.

The My Son Sanctuary, recognised by UNESCO as a world heritage site in 1999, remains one of the most popular destinations in central Vietnam, alongside Hoi An Ancient Town and the Cham Islands – Hoi An World Biosphere Reserve.

Located about 70km from downtown Da Nang, My Son is the only central complex of Champa towers dating from the fourth to the 13th centuries, representing a unique centre of the former Champa Kingdom in central Vietnam.

Many artefacts excavated from the sanctuary have been preserved and displayed at the Cham Sculpture Museum in Da Nang since 1915, with significant contributions from French archaeologist Henri Parmentier.

Da Nang plans an emergency restoration project to save the ruins of Dong Duong Buddhism monastery – a Cham tower complex and pedestal alter from the ancient Kingdom of Champa – from collapsing soon.

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